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Flipping the Page to C.2
C.2 much like C.1 follows the same formula as Shutterbugs table of contents. In Shutterbug, the table of contents is usually very streamlined but still organized. I decided to go a step further and make it even more streamlined while still maintaining the artistic touch that the rest of the magazine has. Much like the cover and feature spread the table of contents contains a "motif" of sorts when it comes to the use of paint splatters. However, when viewed closely, the paint splatters on the sides of the pictures (Coloring Book and Orange-White Cat) match the color at the very edge of the picture. This creates an effect, though arguably better on very dark picture, that makes the picture seem like it is melting into the page. Another thing I considered was the colors behind the hexagonal boxes. I knew that they needed to be colors that would catch the audiences eye, specifically artistic people with an understanding of the arts (Photography, painting, etc...) who would skim...
The Feature Spread: Defenitely a Feature
Photoshop is Your Friend: Adobe Photoshop was an indispensable tool while creating my spread. I personally found Photoshop to be a more intuitive and user friendly tool than InDesign as I was able to easily create hexagonal text boxes to match the hexagon shapes I drew in myself using my other preferred application (Tayasui Sketch Pro). Through Tayasui I also added the artistic touch of paint blots to make the magazine feel more geared towards a more aesthetically pleasing approach rather than having anything too harsh and straight-cut. Not Just Because I like It: Though my magazine boldly states in the front cover "Like it cause it's pretty, why complicate it?" I didn't just make this spread this way ONLY because I liked it. When making a product to be viewed one has to keep the audience in mind throughout the entire creative process. I always ask myself the question "How will this affect the audience and how can I make the experience really stand out?...
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