![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXv2A463NcKWkatJotLMnIAaKVGTKAu5ZMG9tbDudhyphenhyphendyO8IMS0hPlQi9JTcBmnxgttFasz-TpEkrUHxB19b4wUk7_UInJbJUSX8rH7aaUBrgd6ADNgh5ODn1EaxE0vsqjKcyzJtbns38/s400/Contents+2.jpg)
C.2 much like C.1 follows the same formula as Shutterbugs table of contents. In Shutterbug, the table of contents is usually very streamlined but still organized. I decided to go a step further and make it even more streamlined while still maintaining the artistic touch that the rest of the magazine has. Much like the cover and feature spread the table of contents contains a "motif" of sorts when it comes to the use of paint splatters. However, when viewed closely, the paint splatters on the sides of the pictures (Coloring Book and Orange-White Cat) match the color at the very edge of the picture. This creates an effect, though arguably better on very dark picture, that makes the picture seem like it is melting into the page. Another thing I considered was the colors behind the hexagonal boxes. I knew that they needed to be colors that would catch the audiences eye, specifically artistic people with an understanding of the arts (Photography, painting, etc...) who would skim through, see the table of contents, and say that this is
IT.
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